This past
Sunday I referred to an artist named Vik Muniz, and his 2008 work with
professional trash scavengers (or catadores)
at Rio de Janeiro’s Jardim Gramacho. At
the time, Jardim Gramacho was the highest-volume landfill in the world, and was
home to 13,000 people who scraped out a living salvaging recyclables. Muniz went to Jardim Gramacho looking to meet
these catadores and incorporate their
stories into some kind of art installation.
His project is chronicled in the 2010 documentary Waste Land (it’s available through Netflix, and probably your local
library and video store. Watch it. Seriously.).
At the beginning of the film, Muniz says, “What I do with my art is take
people away from where they are and show them a different world; then give them
a chance to look back at where they are differently.” Muniz proceeds to explore a corner of
the world that is home not only to the detritus of an enormous city but also to
a community of discarded people. Muniz
asks these people their names. He
befriends them. And he starts taking
their pictures. He goes on to stage
photos modeled after famous masterpieces, with a group of catadores as his subjects.
After the
photos have been taken, Muniz invites the subjects to join him at a warehouse,
where he projects their photos onto the floor.
They bring in barrels full of materials they have scavenged from the
landfill. And they use the materials to
outline and fill in their projected images.
The end results are warehouse-sized masterpieces rendered in trash.
And for
the first time in their lives, the subjects of these masterpieces – the professional
trashpickers – see themselves not as rejects but as objects of beauty. Muniz
goes on to do much more with the images they’ve rendered, and opens frontiers
for his subjects they wouldn’t have dreamed possible.
What Muniz does at Jardim Gramacho is what God offers to do with each of us. In 1 Peter 2:4-10, the Apostle talks about us
as “living stones” – discarded building materials that become a masterpiece in
the hands of the Creator. At the end of
the film, one of Muniz’s subjects says, “When I became a trash picker, I was so
ashamed. But then I met Vik. And I became part of his art. Now I’m not ashamed anymore.” God seeks out those of us who are
imperfect. Or incomplete. Who may have been marginalized or rejected. And invites us to become part of his life-changing project
of reclamation and redemption.
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